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c. 1445 – May 17, 1510. Italian painter.

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Thomas Pakenham
Wexford rebels helping themselves at the table of the Bishop of Ferns

ID: 49394

Thomas Pakenham Wexford rebels helping themselves at the table of the Bishop of Ferns
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Thomas Pakenham Wexford rebels helping themselves at the table of the Bishop of Ferns


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | Erin Go Bray | Belfast Assembly Rooms | United Irishmen upon Duty | Admiral Warren-s ships pounding the Brest fleet of Genceral Hardy after intercepting it off Lough Swilly | General Lake accepts General Humbert-s sword as a token of surrender at Ballinamuck |
Related Artists:
Frithjof Smith Hald
1846-1903, Norway paint Til lands med fangsten in 1892
LONGHI, Alessandro
Italian painter, Venetian school (b. 1733, Venezia, d. 1813, Venezia). Painter, engraver and writer, son of (1) Pietro Longhi. He must have received his first artistic training from his father, although the only evidence of this is the similarity of their styles. He was apprenticed to Giuseppe Nogari, one of the better Venetian portrait painters of the first half of the eighteenth century, and his earliest works are bust-length, mostly life-size portraits in Nogari's style. He first exhibited in 1757 and by 1758 must have been considered a reasonably established artist,
Jean-Antoine Watteau
1684-1721 Antoine Watteau Art Locations He is best known for his invention of a new genre, the fete galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under FETE CHAMPETRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume, thus blurring references to both time and place. Watteau work was widely collected during his lifetime and influenced a number of other painters in the decades following his death, especially in France and England. His drawings were particularly admired. Documented facts about Watteau life are notoriously few, though several friends wrote about him after his death (see Champion). Of over two hundred paintings generally accepted as his work






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